Taking genuine interest in the Japanese style, Edouard Manet, made these implications subtly, making the style his own, making his work not all of Japanese. This subtle hints could not be seen by the casual viewer.
'Olympia' had elements of light, shadow and shade but the figure in the composition had a certain flatness and focus was made on the contour line that the Japanese style was famous for.
source: documented file.
No comments:
Post a Comment